EDITOR'S CHOICE: Sarah Lucas: SITUATION, Reflections from Damaged Life, Philip-Lorca diCorcia: East Of Eden
Sarah Lucas: SITUATION: Absolute Beach Man Rubble takes viewers on a journey from Lucas’s 90s foray into the lasciviousness of British tabloids through to her winding new bronze works: limbs, breasts and penises transform the abject into a dazzling celebration of polymorphous sexuality. Many of Lucas's highly conceptual feminist works are also poetically aggressive.
Sarah Lucas: SITUATION: Absolute Beach Man Rubble Whitechapel Gallery 77-82 Whitechapel High Street London E1 7QX. 2 October - 15 December
 |
| Sarah Lucas, Au Naturel, 1994 Mattress, water bucket, melons, oranges and cucumber 84 x 168 x 145cm © the artist, courtesy Sadie Coles HQ, London Sarah Lucas: SITUATION at Whitechapel Gallery. 2 Oct - 15 Dec 2013. Supported by Louis Vuitton |
 |
| Sarah Lucas, Bunny Gets Snookerd #1, 1997 Tan tights, plastic and chrome chair, steel clamp, kapok stuffing, wire 106 x 82 x 81.5cm © the artist, courtesy Sadie Coles HQ, London Sarah Lucas: SITUATION at Whitechapel Gallery. 2 Oct - 15 Dec 2013. Supported by Louis Vuitton |
 |
| Sarah Lucas, Nice Tits, 2011 Concrete, wire mesh, tights, fluff 206 x 160 x 60 cm © the artist, courtesy Sadie Coles HQ, London Sarah Lucas: SITUATION at Whitechapel Gallery. 2 Oct - 15 Dec 2013. Supported by Louis Vuitton |
 |
| Sarah Lucas, Two Fried Eggs and a Kebab, 1992 Table, fried eggs, kebab, photo 151 x 89.5 x 102 cm © the artist, courtesy Sadie Coles HQ, London Sarah Lucas: SITUATION at Whitechapel Gallery. 2 Oct - 15 Dec 2013. Supported by Louis Vuitton |
 |
| Sarah Lucas, Unknown Soldier, 2003 Concrete boots, neon tube 183 x 58 x 36 cm © the artist, courtesy Sadie Coles HQ, London Sarah Lucas: SITUATION at Whitechapel Gallery. 2 Oct - 15 Dec 2013. Supported by Louis Vuitton |
Reflections from Damaged Life: An exhibition on psychedelia explores ‘psychedelic art’ and reassesses the artistic problems it poses. Rather than through the framework of counterculture and the hippie scene, it focuses on how specific artistic practices inflected the drug culture and its concepts of transformation and non-human perception.
Reflections from Damaged Life. An exhibition on psychedelia Raven Row 56 Artillery Lane London E1 7LS. 26 September - 15 December
 | |
| Öyvind Fahlström, The Little General (Pinball Machine), 1967–68 Collection Sharon Avery-Fahlström On long-term loan to Museu d'Art Contemporani de Barcelona (MACBA) Photograph by Marcus J. Leith |
 |
| Learning Site (Rikke Luther with Jaime Stapleton) House of Welfare, 2013 Photograph by Marcus J. Leith |
 |
| Learning Site (Rikke Luther with Jaime Stapleton) Detail of House of Welfare, 2013 Photograph by Marcus J. Leith |
 |
| Robert Horvitz, Personal Domain of Freedom and Ecstasy 1, 1973 Ink on paper Photograph by Marcus J. Leith |
 |
| Pierre Huyghe, L'Expédition Scintillante, Act 2 (light show), 2002 Museo de Arte Contemporáneo de Castilla y León (MUSAC) Photograph by Marcus J. Leith |
 |
| David Medalla, Raven mask for ‘The Bird Ballet’ performed at the Roundhouse, Camden, October 1967 by The Exploding Galaxy Photograph by Marcus J. Leith |
Philip-Lorca diCorcia's East of Eden is an ongoing photographic series started in 2008. It uses the struggle between good and evil in the Book of Genesis as a starting point and also draws inspiration from the turbulent economic and political climate in the US towards the end of the Bush administration. As a whole, the works convey a sense of disillusionment.
Philip Lorca di Corcia: East of Eden David Zwirner 24 Grafton Street London W1S 4EZ. 25 September - 16 November
 |
| Philip-Lorca diCorcia, Epiphany, 2009 Inkjet print. 57 3/4 x 70 1/2in. (142.2 x 180.3cm) |
 |
| Philip-Lorca diCorcia, Mr. Briggs, 2007-2008 Inkjet print. 41 3/4 x 61 5/8in. (106.1 x 152.4cm) |
 |
| Philip-Lorca diCorcia, Cain and Abel, 2013 Inkjet print. 39 1/2 x 49in. (100.3 x 124.5cm) |
 |
| Philip-Lorca diCorcia, Andrea, 2008 Inkjet print. 40 x 60 1/2in. (101.6 x 152.4cm) |
 |
| Philip-Lorca diCorcia, After the Fall, 2012 Inkjet print. 56 x 71in. (142.2 x 180.3cm) |
 |
| Philip-Lorca diCorcia, Stockton, California, 2009 Inkjet print. 40 x 60 1/2in. (101.6 x 152.4cm) |
 |
| Philip-Lorca diCorcia, Lynn and Shirley, 2008 Inkjet print. 40 x 60 1/2in. (101.6 x 152.4cm) |
 |
| Philip-Lorca diCorcia, The Hamptons, 2008 Inkjet print. 40 x 60 1/2in. (101.6 x 152.4cm) |