SITC London: Jamil Naqsh: The Painted Word, Alexis Hunter & Jo Spence, Robert Motherwell: Collage, Summer Group Show
Albemarle Gallery presents caligraphy paintings by Indian / Pakistani artist Jamil Naqsh (b. 1938). The abstract works represent Naqsh's personal interpretation of Arabic script.
Jamil Naqsh: The Painted Word Albemarle Gallery 49 Albemarle Street London W1S 4JR. 4 July - 31 August
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
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Jamil Naqsh:The Painted Word, exhibition view. Albemarle Gallery, 2013 |
Richard Saltoun Gallery presents feminist work from the 70s and 80s by London-based New Zealand artist Alexis Hunter (b. 1948) and London artist Jo Spence (b. 1934, d. 1992). Hunter's photographs and Xerox works are displayed alongside Spence's phototherapy pieces.
Alexis Hunter & Jo Spence Richard Saltoun Gallery 111 Great Titchfield Street London W1W 6RY. 22 Aug - 27 September
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Alexis Hunter & Jo Spence, exhibition view, Richard Saltoun Gallery, 2013
Courtesy of Richard Saltoun Gallery and the artists |
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Alexis Hunter & Jo Spence, exhibition view, Richard Saltoun Gallery, 2013
Courtesy of Richard Saltoun Gallery and the artists |
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Alexis Hunter, Approaches to Fear 11: Pain - Medication 1, 1976
Set of 10 vintage colour photographs, in 2 panels 114 x 38 cm, each panel Courtesy of Richard Saltoun Gallery and the artist |
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Alexis Hunter, The Media, 1968
2 hand-coloured Xeroxes mounted on paper, vintage 46.7 x 36.7 cm Courtesy of Richard Saltoun Gallery and the artist |
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Jo Spence, Not wanted, 1989/90 Collaboration with Dr Tim Sheard 9 colour photographs mounted on card 45 x 30 cm overall Courtesy of Richard Saltoun Gallery and the artist |
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Jo Spence, Phototherapy: Mother Work, 1986/88
Collaboration with Rosy Martin 5 colour photographs mounted on card 15 x 50 cm overall Courtesy of Richard Saltoun Gallery and the artist |
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Jo Spence, Middle Class Values Make me Sick, 1986/88 42 colour photographs mounted on card 90 x 70 cm overall Courtesy of Richard Saltoun Gallery and the artist |
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Jo Spence, Portrait, 1986/88 Collaboration with Rosy Martin 3 colour photographs mounted on card 15 x 30 cm overall Courtesy of Richard Saltoun Gallery and the artist |
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Alexis Hunter, Tits and Bums, 1986 Ink and photo-collage on paper, vintage 29.8 x 20.9 cm Courtesy of Richard Saltoun Gallery and the artist |
Bernard Jacobson Gallery's Robert Motherwell: Collage is the most comprehensive exhibition of Motherwell's collages ever held. Motherwell's major innovation with the form is the torn paper edge.
Robert Motherwell: Collage Bernard Jacobson Gallery Bernard Jacobson Gallery
6 Cork Street London W1S 3NX. 5 June - 30 August
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Robert Motherwell: Collage, exhibition view. Bernard Jacobson Gallery, 2013 |
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Robert Motherwell: Collage, exhibition view. Bernard Jacobson Gallery, 2013 |
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Robert Motherwell: Collage, exhibition view. Bernard Jacobson Gallery, 2013 |
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Robert Motherwell: Collage, exhibition view. Bernard Jacobson Gallery, 2013 |
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Robert Motherwell, Australia II, 1983
Acrylic on papers collage on board laid on board. 120 x 81.3 cm (47 1/2 x 32 in) |
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Robert Motherwell, Irish Book, 1989 Collage and acrylic on canvas. 50.8 x 40.6 cm (20 x 16 in) |
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Robert Motherwell, Fantasia III, 1991 Acrylic and pasted papers on paper. 57.2 x 45.1 cm (22 1/2 x 17 3/4 in) |
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Robert Motherwell, Scarlet with Gauloises No. 17, 1972 Acrylic and painted papers on Upson board. 50.8 x 40 cm (20 x 15 3/4 in) |
Mead Carney's Summer Group Show features works by Andy Warhol, Banksy, Mr Brainwash, Hijack, Conor Harrington and Peter Westh.
Summer Group Show Mead Carney 45 Dover Street London W1S 4FF
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Mr Brainwash, Life is Beautiful, 2011 Painting, mixed media (acrylic, spray paint & collage) on canvas 162.5 x 122 cm 64 x 48 1/8 in |
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Hijack, Never Too Young, 2013 Stencil and spray paint on cement 106 x 106 cm 42 x 42 in |
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Banksy, The Punk, 2002 Spray paint & mixed media on wood 194 x 8 x 76.5 cm 76 3/8 x 3 1/8 x 30 1/8 in |
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Andy Warhol, Myths: Mickey Mouse, 1981 Signed in pencil, numbered 166/200 Screen-print in colours with diamond dust 96.5 x 96.5 cm 38 x 38 in |
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Hijack, Never Too Young To Love, 2013 Stencil and acrylic on canvas 152cm x 152cm 60 x 60 in |
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Banksy, Radar Rat, 2002 Spray paint & mixed media on plaster 59 x 6 x 32 cm 23 1/4 x 2 3/8 x 12 5/8 in |
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Hijack, Never Too Young, 2013 Stencil and oil on canvas 86.4 x 58.4 cm 34 x 23 in |